Othello and jealousy essays

His smoldering rage now beginning to bubble over, Othello tells Iago to kill Cassio and then angrily confronts Desdemona. In spite of Desdemona's protests of innocence (backed up by Iago's wife, Emilia), Othello is now convinced of her infidelity with Cassio. Iago, meanwhile, has Roderigo attempt to murder Cassio; when Roderigo fails to do more than wound the soldier, Iago slays him so that Roderigo can't implicate him in the affair. Othello strangles Desdemona in her bed. When Emilia discovers the crime, she decries the Moor as a villain and at first refuses to believe that Iago has so evilly manipulated Othello. However, Iago's appearance and subsequent answers lead Emilia to confront the fact that her husband is responsible for this tragedy. When Iago cannot keep Emilia from telling the truth about the handkerchief, he stabs her and attempts to escape; not only is he captured, but letters found on Roderigo's body thoroughly implicate Iago as the treacherous villain that he is. Faced with the shame of having murdered an innocent Desdemona, Othello stabs himself in front of Cassio and dies on Desdemona's bed, beside her.

“A bold and towering adaptation of a Shakespeare classic, and a daring vision into the legendary madness that was Welles.”

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Brabantio again accuses Othello of bewitching his daughter, and airs his racially-charged grievances. He believes nature has made some mistake. Brabantio likens his grief to a flood that "engluts and swallows other sorrows, and is still itself" (-58). His strong objection foreshadows a confrontation between him and his daughter, and if Desdemona does choose to stay with Othello, it seems likely she will risk her father's love.

The film was a bomb at the box office , grossing only $ million in the United States on its $11 million budget [3] (however, it had a very limited theater count). Despite this, it received largely positive reviews, especially for Branagh's Iago . Janet Maslin wrote in The New York Times "Mr. Branagh's superb performance, as the man whose Machiavellian scheming guides the story of Othello's downfall, guarantees this film an immediacy that any audience will understand." [4] Branagh was nominated for a Screen Actors Guild Award for his performance, in the Outstanding Performance by a Male Actor in a Supporting Role category. [5]

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othello and jealousy essays

Othello and jealousy essays

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Othello and jealousy essays

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Othello and jealousy essays

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othello and jealousy essays

Othello and jealousy essays

“A bold and towering adaptation of a Shakespeare classic, and a daring vision into the legendary madness that was Welles.”

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othello and jealousy essays

Othello and jealousy essays

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Othello and jealousy essays

Brabantio again accuses Othello of bewitching his daughter, and airs his racially-charged grievances. He believes nature has made some mistake. Brabantio likens his grief to a flood that "engluts and swallows other sorrows, and is still itself" (-58). His strong objection foreshadows a confrontation between him and his daughter, and if Desdemona does choose to stay with Othello, it seems likely she will risk her father's love.

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Othello and jealousy essays

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